Review Debut!

As you may know, we are heavily involved in our local community theater.  For each play in which we were involved, part of the fun was to see what the newspaper critic would publish about it.  Well, the newspaper reviewer has been canned, and so my husband was asked to take over.  Not wanting the responsibility of the fallout that one might incur when writing about specific individuals in a small town (not to mention his extremely busy work schedule), he agreed to only do the review about the most recent play because he and I produced it.  The following is my husband’s review debut that was (supposed to be) published in the newspaper, and I’ll go ahead and give myself a secondary byline for editing.  I must note however, that those of you who have seen this particular edition of the paper might notice more than a few differences between the two reviews.  And my husband did not write the paragraph about his credentials that appears at the end of the print version – the newspaper wrote it with info my husband supplied when asked how he was qualified to do the review.  It’s just funny that for the past few years, we’ve been assuming the quirks of our play reviews were the fault of the reviewer when in actuality, the newspaper changes much and does lots of editing!

Don’t Hug Me is a Winter Treat

This past Wednesday evening my wife and I had the privilege of attending a preview of Don’t Hug Me, a comedy by Paul Olson.

As we took our seats, my eyes were immediately drawn to the brilliantly detailed set.  Just a quick glance at the rustic wood paneling, Paul Bunyan style restroom sign, and moose head beer tap and I was instantly transported to a northern Minnesota bar.

This first little scene sets the stage for the show perfectly.  Minnesota gets cold in the winter, and Gunner is tired of it.  He wants to escape the frigid temperatures and move to Florida, but Clara’s heart is in Minnesota .  This conflict is the basic central plot throughout Don’t Hug Me and Roberts and Snider deliver it with a very nice chemistry together.  Their bantering back-and-forth comes across as genuine and is also very funny.

you can almost feel the chilly Minnesota draft coming in from outside.

 

 

 

 

December 5 – 14.  Tickets are $12 for adults with a discount for students and seniors.  Reservations are recommended.




2-0

Ok… today (all right, yesterday) was the second annual Theatre Softball Game/Picnic. When I arrived, I saw people decorating the pavilion where we were to meet decorating for a birthday party. Unfortunately, the sheet that claimed our group’s rental had fallen off. However after the offer was made to share the space, the birthday revelers graciously set up at another nearby location.

So after the large contingent of theatre regulars and new recruits ate, the time had come to do battle on the softball diamond. The teams were chosen and the game commenced. I again amazed myself by getting on base 4 out of 6 times. the first at bat being a strike out. Happily, I hit a triple but almost caught up with the runner in front of me; I kept shouting… “GO, C____, GO!” The fielding however, not so good. Although, I was instrumental in turning a double play at first base. I kept offering to let someone else take the position, but… However, after 7 innings of play, my team had 19 runs to our opponents 18. Not too bad for a group of thespians out having a day of fun. Yes, I WOULD say that had my team lost. I did see the tell-tale sign of the buzzards circling our territory as they did last year looking for any fresh meat that happened their way.

The festivities continued at the wonderful home of some of the best people anyone could ever have the great pleasure of knowing. We watched the 1994 Kevin Spacey starring film Swimming with Sharks. For anyone who has ever wanted to get into the film industry, this is DEFINITELY THE MOVIE FOR YOU. A very dark, but hilarious tale about a little guy getting revenge.  The movie tells the story of a young man who hopes to break into the business who has the boss from hell (played marvelously by Mr. Spacey). The young assistant grows so tired of his demanding, overbearing, rude, obnoxious boss that he kidnaps him and well… you just have to see for yourself. Also in the cast is Michelle Forbes who appeared as Ensign Ro Laren on Star Trek The Next Generation.

The evening ended long after most everyone else had left. Three of us were trying to convince our fourth wonderful friend to join us for a few days in Florida next month. She promised that she would consider it (look at her syllabi, try to get off work for 4 days, etc). Honestly, we were not trying to force her to join us; we just thought it would be so great to have her come along. But, she promised to let us know soon.

So, yet another fun day with great friends.




Actor: Not Believable as a Human Being.

If you’ve seen friends you might remember the episode when Joey, a often unemployed and ridiculously bad actor, gets a review that reads “Not believable as a human being.”…  Well, today I am the received such acclaim.

I am in a local production of the Nerd and play the title character or Rick Steadman; the Nerd.

With such choice phrases used as “over the top” and “upstages the others” and “hard to believe he is a real person” it is indeed time to ask myself the question…  Am I as bad as Joey?

The good news is the show itself got a good review and so did some of my VERY WELL DESERVING castmates!!  🙂  🙂

Oh well.  I can only learn for next time.  I have always found myself a little better at dramatic roles; not a character actor am I.  For now I will have to live with “not being believable as a human being” — or at least “hard to believe he is a real person”.




Persuasive Speaking – How NOT to Make an Argument!

Anyone who knows me well knows that sometimes I can lack confidence.  I suppose years of adolescent torment can do that to someone.  But one thing I was confident in was my ability to make a good persuasive argument.

NOT ANYMORE.

After recent events as a member of our local theatre’s “Play Reading Committee” I am wondering if when I talk I simply make no sense…  If what is a compelling argument (point) to me is just plain stupid to everyone else.

You see, our theatre has a play reading committee where people involved with the theatre meet to discuss what plays and musicals to do for the following season.  This year, to start, we were given the assignment of bringing a complete season (OR TWO – with dates & location) to the meeting and your reason for selecting the shows you named.

As far as I could tell, I was one of the only ones who completed the assignment in it’s entirety.  Some had just a few shows they would reccommend while others had 5-shows for a full season and no particular order.

I brought in two complete seasons…  Shows, dates, and REASONS as to why I picked those shows and those dates.  I made sure to keep in mind the needs of our struggling theatre and the mandates which had been given to us from the Trustees of the theatre.  These mandates were to do a show that involved children, pick one show where everyone who auditioned could be cast, and to pick shows which the audience would have an awareness of already.

The shows I named specifically were:
Bryan in Feb – A Few Good Men (or) Diary of Anne Frank
May in Montpelier – Phantom or Clue the Musical
August in Montpelier – The Goodbye Girl or Lost in Yonkers
October in Bryan – Little Shop of Horrors (Cast ALL)
Nov/Dec in Montpelier – Miracle on 34th Street (Cast ALL **KIDS***)

My logic was to create a season around a theme of “The Movies”.  As many of the general, non-theatre lover, public might not know some core plays — almost everyone has heard of these movies.

I also placed a Christmas show (with kids in the cast) in our December slot, a show with a “Halloween” theme in our October slot (which could be one where we cast everybody), and a serious acting play (drama) at the begining of the season.

I argued that as a theatre we need to do more to entice the public.  Giving them something they already know is a key factor.  This is why so many community theatres in large markets focus on primarily musicals.  While a theatre lover may have heard of Scapin — almost everybody has heard of West Side Story.

Anyway, since we don’t want to do 3 – 5 musicals a year I thought “movies” would be a good way to go…

GUESS NOT.

The latest meeting of the play reading committee has left me with no doubt.  I DO NOT KNOW WHAT I AM TALKING ABOUT.

I have been with the theatre several years now and, not to pat my own back, but the productions I have been heavily involved in have been extremely successful from both a financial and cast-retention standpoint.  However, it seems I make such a poor argument and such little sense that…  Well, as the season begins to form I can see that NONE of my suggestions will be there.

It’s not that I love those shows or anything.  Anyone who knows me knows I would rather do Assassins and Shear Madness…  Or even Noises Off.  But the point is, what I saw as a persuasive arguement (to get known shows in the season) seems to have been more of a pointless and non-compelling one.

It seems that my (obviously misguided) banter has become so apparently flawed that I am just getting ignored now.  For example…

This last meeting we were trying to get any show that already had a director and solidify it into the season.  I reminded the group that I was willing to direct Little Shop of Horrors.

Another member of the committee (a dear friend of mine!) suggested another musical, Honk.  She suggested that she might be able to find a director for that one.

Well, the leader of our committee (who I absolutely adore — no sarcasm — love the guy!) says “I move we commit to Honk and put it in the season since we have a musical that someone will probably want to direct”.

I reminded the committee that we have two other musicals who people have COMMITTED to direct.  Little Shop and Jesus Christ Superstar.  I asked that maybe we commit to one of those.

“No, I think it’s too early to commit to one of those.  Let’s see what happens with some other things first.”

WHAT!?  The same person who JUST WANTED to put HONK (a musical of which he had never seen / heard) into the season because it MIGHT have a director said NO to putting either of the shows I talked about in the season for the reason of??

That is when I relalized — I have completely devalidated (is that a word) myself.  Apparently I have made so many bad mistakes and so many poor arguments that now when I speak it is just considered nonsense.

Oh well.  At least I know now not to think too highly of my persuasive speaking skills.




Cell Phones!

Anyone who was involved in the WCCT’s most recent production of Idol Night at the Karaoke Place will probably remember a cell phone ringing and someone answering it loudly on opening night.

Yes, it was my mom.  And now there is even an article written about it!

https://www.crescent-news.com/news/article/3703471

Ugh, mom.  Why you mom!!