Tonight, a group of self-anointed “cougars,” Megan, and I (the only male) traveled to Findlay to see a production of Pump Boys and Dinettes.  Before our hour and a half trek began, piling into the minivan was almost worth a few dollars to see itself.  I would have gladly given up my front seat but to see the ladies crawling over each other to get a seat was priceless.  We drove through quite a bit of rain… so much for the “Slight chance of evening showers.”

For dinner, we decided on a place called The Gathering that was right beside The Tavern in the Inn (I almost thought I was back in NYC at  Tavern on the Green).  I decided on the restaurants signature ribs.  Thank goodness, I decided on the Piglet order instead of the full-rack Oinker platter.  I barely finished the half-rack.  Guess I was not as hungry as I was when I tackled the full-pound sirloin burger.

Ths show itself was billed as “a country music review.”  However, while most of the music had a country feel, I did notice a few pieces that had a rock sound from the 50s-60s. The music was ALL ORIGINAL.   Since the show was a review, the plot was totally secondary and seemed to be spliced together from old bits of Hee Haw corn.  The small cast included sisters Rhetta and Prudie Cupp who run and operate the Double Cupp DIner and the three main attendants at the garage/filling station next door.  The leader of the Pump Boys, Jim, seemed to be the MC of the evening and introduced the ladies man, Jackson and the more suspicious, L.M.  The pit was included on stage and the two guitar players, pianist, and drummer each seemed to have personalities of their own without saying a word.  I would say my favorite selection was L.M.’s recollection of a week he spent while attending the concert of a certain buxom blonde country legend.

The set really made you think you were in a small backwater town in Carolina where the men far outnumber the ladies (inbreeding).  Where beer is home brewed as well as the ‘shine and a cow eats the field of marijuana  (be sure to have that milk tested).

After the show, Megan and I were encouraged to check out the green room in the basement.  Although the ceiling was a bit low (thank you Megan for pointing that out as I hit my head more than once), I must say that I found myself thinking of making a switch.  There was furniture galore (comfortable furniture), a large television which served as a monitor showing the action on stage (very nice to have), as well as cast pictures from previous shows.  As the Fort Findlay Playhouse is also constucted inside a hollowed out church, it made me wonder how many theatres have been converted from places of worship.

On another note, it seemed that the Fort Findlay Players stole our theme idea for a season (or more members of their board were more receptive to the suggestions).  Next year, the theatre is doing a Salute to Hollywood by presenting a series of plays that were also movies.  Shows like Arsenic and Old Lace, House of Frankenstein, Singin’ in the Rain, and The Wizard of Oz (the version based on the 1939 classic film), and The Odd Couple are on the season.  See… it is possible.

Pump Boys and Dinettes was just a fun bit of escapist fun that just flew by.  The vocal talent was extraordinary and the choreography was simple yet energetic.  I could see myself doing it.  That again is saying A LOT.

Friday night I again ventured to an evening of games and fun at our wonderful friend’s house.  In the early morning hours, I began to venture to my car when another game partier made it known that it was very foggy and offered me to stay over at her house.  I gladly accepted and while following the car in front of me to our destination, I was really glad I did not attempt to drive home.  Even this morning driving home at 10AM, it toook 30 minutes as opposed to the 10 it usually takes.

While the title of this post has only a slight connection to the topic, I wanted to post on the loss of a Catwoman who used up her nine lives.  Eartha Kitt played the feline pur-r-r-lunderer during the final season of the Batman tv series. In my opinion, she was not as captivating as Julie Newmar in the role.  Ms. Newmar and Adam West had wonderful on-screen chemistry that seemed to lack when Eartha put on the catsuit.  Aside from her stage and film credits, Ms. Kitt was also a famous singer whose rendition of “Santa Baby” graces the airwaves every hoilday season.  Most recently, she appeared on stage in National Touring Productions of The Wizard of Oz and Rodgers and Hammerstein’s Cinderella.

Over the past few weeks, I have been blessed to become re-acquainted with someone who used to teach at the local elementary school.  She has since moved to North Carolina.  She started commenting on my blog during the worst couple of weeks I have had in my 35 years when Emily became seriously ill and lost her battle with leukemia.  I helped Terri and Emily direct the high school’s production of Bye, Bye Birdie a few years ago.  I am extremely sad to say that the theatrical tradition that was once so strong at my alma mater has disappeared.  Growing up I remember watching great musicals performed on the gymnasium stage.  The first being The Wizard of Oz in 1977.  I was introduced to my favorite musical, Carousel, in the early 80s, as well as Finian’s Rainbow, You’re A Good Man Charlie Brown (which justj‘s daughter will be part of in her high school’s production next Spring).  I also watched both of my brothers on stage.  THEN, I guess I made my mark in Fiddler on the Roof, I Remember Mama, and (finally) as Rooster in Annie.  I also helped stage The Sound of Music, South Pacific, and the aforementioned Birdie.  Do any of my faithful readers have any memories of school musical productions they would like to share?

Terri recently sent this holiday greeting which features my favorite version of my favorite carol set to a beautiful scene which signifies the true meaning of the season.

This will be our final song to you before Christmas, which truly symbolizes our belief of the true meaning of Christmas.

https://youtube.com/embed/Z_ypUnnqr8Y

MERRY CHRISTMAS TO YOU ALL!

One of the most beloved stories and movies is about to be presented at one of Ohio’s most acclaimed professional dinner theatres. Beginning August 27, you can join the Carousel Dinner Theatre in Akron as they transport audiences “Over the Rainbow” along the yellow brick road to the land of Oz. This interpretation promises to be faithful in essence to the 1939 cinematic masterpiece but at the same time feature new elements that have never before been seen. One of these is the use of puppets. The press-release also promises an audience interactive as Dorothy enters the Emerald City. As the artistic director, Sean Cercone states:

We (the creative team) have to understand that when the audience comes to see the show, you are entering with a certain expectation of what you are going to see and experience. THIS IS ONE OF THE MOST IMPORTANT ISSUES IN DEVELOPING THIS SHOW FOR THE CAROUSEL STAGE.

Indeed, there have to be very few people with access to television, movie screen, or books who have before never encountered the fantasy created by Lyman Frank Baum and first published in 1900. As with any high profile and well-known work, audience expectations will be enormous.

You can follow the creative team on their quest to create their vision of The Wizard of Oz by reading Mr. Cercone’s blog. Plus find ticket information on the theatre’s website.

Continuing with AFI’s list, I will now comment on the fantasy world. This genre is by far the one in which most people have to leave their logic and knowledge of the ordinary world at the doorstep and embrace their inner child. This was perhaps my favorite segment (as they did not include the 10 best musicals). But here goes:

• Big (I believe that this Tom Hanks film re-started the whole kid-transforming-into-an-adult-overnight craze)
• The Thief of Baghdad (silent movie that I cannot comment on)
• Groundhog Day (? OOOOKKKKKK…. Why?)
• Harvey (classic Jimmy Stewart film… near and dear to one of my frequent readers)
• Field of Dreams (they built it and they did come again a bit of a ?)
• Miracle on 34th Street (the original in glorious black and white which I have commented on before)
• King Kong (1933 big scary monkey climbs Empire State Building and go boom)
• It’s a Wonderful Life (another Jimmy Stewart favorite at Christmas time…. once in your life did you not want to know the world would be like if you were never born?)
• The Lord of the Rings: The Fellowship of the Ring (one of the most faithful book to screen adaptations ever conceived)
• The Wizard of Oz

In my humble opinion, the classic Oz deserves to be at the top. I dare say that this movie has lived on for over seventy years and I do not know of anyone who has never seen it. If there is they must live under a rock. Speaking of rocks, there is at least one film that should have been in there somewhere. The Neverending Story is a fun fantasy (featuring Rock Biter) for children of all ages full of wonder and far away worlds. Also, where is The Princess Bride? The inclusion of Groundhog Day just made me scratch my head. How does one get on to vote on this A.F.I. list anywho?

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Wizard of Oz gifts and merchandise at WBShop.com !

In almost every film made, there are casting issues. The actors seen in the final product are not necessarily the people originally chosen to fill the roles. Well known to most trivia buffs, Shirley Temple possibly would have been Dorothy in The Wizard of Oz had she not been under contract to MGM rival Fox at the time. Buddy Ebsen was cast as the Tin Man until he discovered that he was allergic to makeup used in the costume.

-Imagine how different Gone with the Wind would have been if Lucille Ball had been cast as Scarlett O’Hara or Groucho Marx as Rhett Butler.

-Moving forward a few decades, the Bruce Willis starring action movie Die Hard was originally planned as a sequel to that fine Arnold Scharzenegger masterpiece, Commando. However, after the Governator turned the role down, the film was changed and eventually starred Mr. Willis after four other casting attempts.

-Speaking of Ah-nuld, could you possibly imagine O.J. Simpson as The Terminator? Seriously, it could have happened.

-Bill Murray was considered for the role of Batman/Bruce Wayne in the 1989 film. Has Mr. Murray ever done a non-comedic movie? Or maybe, the movie was originally supposed to be lighter in tone and closer to the ’60s television show. Robin Williams was considered for the role of the Joker in both the original Tim Burton directed movie and also for this summer’s The Dark Knight (which will be Heath Ledger’s swan song).

You can view other possible casting choices for your favorite movies at notstarring.com.