I am very glad we were able to arrange our obscenely busy schedule in such a way to be able to see the play The Lion In Winter on Saturday night.  A great friend and fellow blogger, Jamiahsh was a sucker kind enough to babysit all four kids for us, as this was not a play for children.  Not that it was “adult” per se, but our younger two especially would NOT have been able to sit still throughout the entire production.

The Lion in Winter tells the story of King Henry II and his family in 1183.  Although the actual play is fictional, it is based upon real people and real events.  King Henry has 3 surviving sons who share the same goal: to inherit the kingdom, although that is where their similarities end.  Richard, the eldest brother, “growls out for gore”, as it is said in the play.  He is the warrior of the bunch, and he has the temper to match.  Geoffrey (played a little too convincingly, haha, by a great friend and fellow blogger, justj – great job!) is the scheming, conniving, if mostly forgotten middle brother.  Geoffrey “hums treachery” and is the epitomy of someone who suffers from middle child syndrome – and it’s that much more hilarious when his parents actually admit to not giving him the time of day!  John is the youngest brother, who is favored by his father for some reason despite his lack of… well, his lack of much of anything upstairs (I’m tapping my head).  Eleanor, Henry’s estranged and imprisoned wife, is a tyrant in her own right, although she is largely limited by gender roles in the twelfth century.

This particular production was co-directed by a good friend – someone whose many talents I’ve long admired – she’s a gem!  She is a very detail-oriented, hard worker, and the finished production illustrated those attributes.  Because The Lion In Winter is typically an historical drama, it wouldn’t normally be one of my favorite shows – I’m the type to much prefer good stagings of upbeat musicals like Joseph and the Amazing Technicolor Dreamcoat, The Wizard of Oz or slapstick comedies like Idol Night at the Karaoke Place, The Nerd, or even a good melodrama.  That being said, I can honestly say (and to my surprise) that I was never once bored during The Lion in Winter.  And even being an historical drama, it’s not without its (large) share of comedy as well.  The dialogue (and hilarious insults!) fly swiftly and smartly, and I honestly wish time would have allowed me another opportunity to see the play as I think there were many more things I could have caught, especially if I weren’t a walking zombie these days.  The play is complex; its dialogue and characters almost too intricate to effectively absorb in just one sitting.  The playwright, James Goldman, found many opportunities within the script to have the characters make clever satirical remarks, often making fun of the time period in which the play takes place.  Among my favorites was the following exchange between John and his mother Eleanor, the Queen:
Towards the end of the first act of Lion in Winter, John is astonished and horrified when his older brother Richard pulls a knife on him. “A knife,” he says, “he’s got a knife.”  To which his mother, Eleanor, responds by saying: “Of course he has a knife.  He always has a knife.  We all have knives.  It is eleven eighty-three and we’re barbarians!”  Just the memory of that line makes me smile, especially because the woman who played Eleanor was simply awesome – she gave one of the best performances I’ve ever seen on a community theater’s stage.  I would expect it to be difficult to give life to a character as complex as Eleanor; after all, in Henry’s words, Eleanor “thinks heavy thoughts like molten lead and marble slabs.”  but she did it marvelously.

Actually, all of the acting was great in this production; King Henry came across as powerful yet emotionally weary and even a bit vulnerable, and King Philip of France seemed to be both a willing yet also an unwitting pawn in the treacherous game played by the royal family of England around 1183.

Also of note in this particular staging of the show was the remarkable set which exemplified an old European castle quite well.  Although it amounted to hard physical labor for its extensive stage crew,  the medieval set was easily (depends who you ask, I guess!) transformed into 6 distinct settings for the play.

Overall, a good show, and a fine job by both cast and crew.  I only wish I had a chance to review it earlier so I could have done my part in recommending it to and recruiting audience members.  Well, such is a busy life with 4 little kids, I suppose!

that I am glad my last on stage theatrical experience was only a three night affair (no pun intended).  I returned “home” tonight to a marvelously hilarious yet intriguing tour de force.  The Lion in Winter is a brilliant play that has everything: comedy, drama, comedy, backstabbing, COMEDY, a steller set, did I mention comedy.  There were at most 30 people in the small audience but everyone of those thirty were in stitches (maybe it was the three in the third or fourth row… but it was really that funny and not at all what I expected.

First, I MUST commend the hard work that went into the scenery constructed that turned the small stage of the WCCT into the castle of King Henry 2nd at Chinon, France at Christmas circa 1183.  Tapestries, stone walls, a throne and such depth and perspective that you would have thought that you were actually inside the castle.  BRAVO Karen for another magnificent set!

The cast is totally phenomenal.  I must commend the newcomer to the stage who gave simpering, whining life to Prince John.  The newspaper review did not do his performance its due credit.

Nor did it do justice to the performance of Prince Geoffrey.  The audience could see the brilliant machinations going on in his head.  What little he said in words while the others bickered and plotted aloud, he more than made up for in his presence and movement.  Brilliant portrayal, my friend!

I must give huge praise to the King and Queen themselves.  When King Henry was on stage, he OWNED the stage.  Queen Eleanor of Aquitaine was Katherine Hepburn personified… maybe even a bit better.  Their scenes together were magic.

The entire cast, crew (the scene changes were very necessary to the effect and done well), direction (brava Shirley and Alice).  King Philip was portrayed by an actor who is a huge fan of the show and rightfully so.  His onstage time may have been limited but what he did with that time was masterful.  Richard the Lionhearted was portrayed with fiery passion for battle and blood yet had a tender side.   Alais, mistress of Henry II, was also well cast.

As the trailer says: It will make you laugh, cry, and go HUHN?  Definitely check out the final performancces of Lion in Winter this weekend.  And I did see a bit of typecasting as my friend so fleetingly commented upon.

After Tuesday nights ever predictable rehearsal from heck, the cast, crew, and orchestra really pulled together tonight.  Tuesday’s rehearsal was predictably bad because I have yet to be in ANY show in which opening week was not full of pitfalls.  I actually would be very surprised if I ever in one that ran flawlessly… I would have to walk out and come back into the theatre.

The entire evening was magical.  You would have thought we had a paying audience.  This was the first time that Grandpa got to be in makeup.  The director’s major comment after the run is that I needed more age lines.  OK, I will inform the makeup mistress of this tomorrow night.  I DO NOT do my own makeup.  Although a certain female within my home theatre scares me sometimes when she carries around a mascara applicator.  Honestly, look into my eyes and tell me that my lashes need extended.

One thing that was mentioned in early rehearsals.  Meet Me in St. Louis actually has a basis in fact.  Sally Benson,whose nickname was Tootie, wrote about her childhood experiences in St. Louis and attending the 1904 World’s Fair.  The house that her family lived in on Kensington was demolished in 1996 as it had fallen into disrepair.  That is all that I know that is historically accurate.  Like The Sound of Music, The King and I, Titanic, and any other historical musicals or plays like Lion in Winter, I am sure there are many tidbits added for dramatic purposes.  But what a treat.  Total run time… we started at 8 and got done juuuuust after 10.  I think the 15 minute intermission went a bit long.  We did get to indulge in some chocolate cake following the rehearsal.  If you happen to be coming, the doors will open at 7.10 Friday and Saturday nights and I would say 1.50 Sunday afternoon.  To The Cast… BREAK A LEG.  To those attending… ENJOY!