Well…. here is my final post on the great experience that began back in late March.  New director, new cast members, new atmosphere, but still great fun.  It is rather strange how intimate I have become with the stage in our little corner of Ohio.  Twice I have been in shows where I end up lying downstage center.  Whether it be sleeping and being pulled into my television or being stabbed in a duel and killed.  During our final performance this afternoon, Marmee suggested that I combine Braxton Prendergast with my favorite character (of course many of you who read my blog know who that is).  As thrilling as that would be, I decided that I better not although it may have drawn an even larger reaction than normal.  The director could not understand why Braxton’s death always drew chuckles from the audience.  As our lighting tech so kindly observed, he does not know me very well, does he.  Actually, I was quite impressed at the amount of time it took to strike the set.  It took less than an hour and a half.  Everyone really pitched in and helped.  So, after that most of the cast and crew went for a final wrap gathering at an area pizza shop and said our final farewells amidst the sadness and joy.   Once again, my sincere thanks and congratulations to everyone involved in this marvelous production.  I found many ways in which to deliver the line “Who are you?” so it would be different each time I said it.  I think I found as many as Jo found to deliver “Christopher Columbus.” Plus, my goals for the show were met.  I believe that the cast worked hard but still enjoyed themselves, and I got to wear pumpkin pants (tights as well, but that was definitely not on my list).

Now that our run of Little Women is half over, I would like to express my gratitude to EVERYONE involved in the production. I must tell you that I have worked with a cast with a lot of teenagers before and was not at all happy with the result. This production has a cast involving a very professional cast involving performers young and old. The large ensemble included in the production has taken a lot upon themselves. They are responsible for set changes, ushering, concession stand manning, and costume changes. Whenever anything needs to be done, there is at least one hand or voice raised willing to take on the task. Most of the time, these are high school students willing to pitch in and help. It is so great to see these young adults stepping up with maturity.

The entire cast is extremely talented. There are many seasoned veterans on stage as well as many newcomers to our small community theatre. I have been honored to have worked with a lot of the cast on previous occasions so I was familiar with their work. However, those who have never before stepped on stage are every bit as talented and professional as those of us who have been on stage once, twice, or a hundred times before. I believe every member of the cast has a moment on stage when they shine, especially during “The Weekly Volcano Press” ensemble piece. Hopefully, some of the talented newcomers will continue to come out and audition for more shows.

Our pit accompaniment consists of three talented musicians on keyboard. The lead keyboardist is a young lady who was called in about two weeks prior to the start of the run. I was totally amazed that someone could step in and take on such a demanding task. The other two have MAJOR roles (Marmee and Prof. Bhear) on stage and constantly need to remember when they are on, off, and how they need to exit the stage. Do they return to the pit, or do they go backstage?

Our lighting tech also was called in with just a few weeks notice. I am the first to admit that I know very little about the technical aspect of theatre. But he just came in, began fiddling with the lights, asked what was needed and with some finagling managed to add a whole new aspect to the theatrical experiece. All the softs, brights, and every tone in between to add atmosphere and depth to the stage. And his assistant is no slouch either. She does the spot light and so much more. Noticing the most minute details and making sure to tell someone when it needs attention.

Finally, the glue that holds all productions together (or tries to): the director. He has been totally professional since day one. Pushing us when needed (sometimes literally) and knowing when to relax. Being involved in the theatre for 25 years, I am sure he knows when to do both.

So, here is hoping that next weekend’s performances bring as much fun, excitement, and sense of accomplishment as the first one did. Although, this afternoon’s matinee proved to be full of technical “gremlins.” 😀 THANKS EVERYONE!!!!

Tonight’s rehearsal was primarily focused on vocals and what blocking we have learned for the songs in Act I of which there are 10. It was almost as if I had stepped back into a vocal lesson reflecting on what I had learned years ago about sound placement, breath support, projection, etc. and alot of it was nearly second nature. After my song was finished I decided to wait and see how the rest of the cast was coming along on their songs. Amazingly, there were only about lets see (Jo, Amy, Beth, Marmee, Prof. Bhaer, Laurie, Mr. Brooke, and Mr. Lawrence, and myself) 9 of us there. I have yet to see Rodrigo at a rehearsal, but I guess people are busy and have other commitments.

I must say that the young man playing Laurie has his work cut out for him. This role calls for a range of approximately 2 octaves soaring to a high A on the Treble cleft, but I think he is doing a fine job… just needs to open up and get that breath support flowing.

Some of the March sisters songs are fun and choreographed well once they learn them well enough to sing without music in hand and move around the stage at the same time.

Actually, a hard rehearsal but at least it seems that the cast is well on its way with just over three weeks to go before performances begin. The trip home was quite exciting with a lightning storm flashing all around, but little rain… so no ditchings 😀
Little Women (1933)